Why grey screens ?

The concept of the grey screen was first introduced by Stewart Filmscreen with their Grayhawk product in 2001, and grey screens have become immensely popular ever since.

Grey screens are often called high contrast screens because their purpose is to boost contrast on digital projectors in viewing rooms that are not entirely dark. The grey screen absorbs ambient light that strikes it better than a white screen does. In so doing the black level on the screen is maintained. This works because, assuming the projector has ample lumen output as most digital projectors do, whites remain satisfyingly white while blacks are maintained at a deeper black. The net effect is to increase the contrast range of the image on the screen.

This is a 100" Pure 16:9 Projector Screen.

Beware of  other converted  100 inch 16:9 Projector Screen, it is about only 91 inch  when it is converted  from 4:3 format.

Why grey screens ?

The concept of the grey screen was first introduced by Stewart Filmscreen with their Grayhawk product in 2001, and grey screens have become immensely popular ever since.

Grey screens are often called high contrast screens because their purpose is to boost contrast on digital projectors in viewing rooms that are not entirely dark. The grey screen absorbs ambient light that strikes it better than a white screen does. In so doing the black level on the screen is maintained. This works because, assuming the projector has ample lumen output as most digital projectors do, whites remain satisfyingly white while blacks are maintained at a deeper black. The net effect is to increase the contrast range of the image on the screen.

This is a 120" Pure 16:9 Projector Screen.

Beware of  other converted 120inch  16:9 Projector Screen, it is about only 110inch  when it is converted  from 4:3 format.

Why grey screens ?

The concept of the grey screen was first introduced by Stewart Filmscreen with their Grayhawk product in 2001, and grey screens have become immensely popular ever since.

Grey screens are often called high contrast screens because their purpose is to boost contrast on digital projectors in viewing rooms that are not entirely dark. The grey screen absorbs ambient light that strikes it better than a white screen does. In so doing the black level on the screen is maintained. This works because, assuming the projector has ample lumen output as most digital projectors do, whites remain satisfyingly white while blacks are maintained at a deeper black. The net effect is to increase the contrast range of the image on the screen.

This is a 130" Pure 16:9 Projector Screen.

Beware of  other converted  130 inch 16:9 Projector Screen, it is about only 118 inch  when it is converted  from 4:3 format.

Why grey screens ?

The concept of the grey screen was first introduced by Stewart Filmscreen with their Grayhawk product in 2001, and grey screens have become immensely popular ever since.

Grey screens are often called high contrast screens because their purpose is to boost contrast on digital projectors in viewing rooms that are not entirely dark. The grey screen absorbs ambient light that strikes it better than a white screen does. In so doing the black level on the screen is maintained. This works because, assuming the projector has ample lumen output as most digital projectors do, whites remain satisfyingly white while blacks are maintained at a deeper black. The net effect is to increase the contrast range of the image on the screen.

This is a 140" Pure 16:9 Projector Screen.

Beware of  other converted  140 inch 16:9 Projector Screen, it is about only 128 inch  when it is converted  from 4:3 format.

Why grey screens ?

The concept of the grey screen was first introduced by Stewart Filmscreen with their Grayhawk product in 2001, and grey screens have become immensely popular ever since.

Grey screens are often called high contrast screens because their purpose is to boost contrast on digital projectors in viewing rooms that are not entirely dark. The grey screen absorbs ambient light that strikes it better than a white screen does. In so doing the black level on the screen is maintained. This works because, assuming the projector has ample lumen output as most digital projectors do, whites remain satisfyingly white while blacks are maintained at a deeper black. The net effect is to increase the contrast range of the image on the screen.

This is a 150" Pure 16:9 Projector Screen.

Beware of  other converted  150 inch 16:9 Projector Screen, it is about only 136 inch  when it is converted  from 4:3 format.

These Motorised Deluxe White Projector Screens are built to meet the today’s standard, providing a combination of cost conscious design and commercial features.

These Motorised Deluxe White Projector Screens are built to meet the today’s standard, providing a combination of cost conscious design and commercial features.

These Motorised Deluxe White Projector Screens are built to meet the today’s standard, providing a combination of cost conscious design and commercial features.

These Motorised Deluxe White Projector Screens are built to meet the today’s standard, providing a combination of cost conscious design and commercial features.