High Performance IEC Inlet

Available in gold or rhodium-plated

Add a fabulous fixed frame projection screen to your home. It will be the main "show" in your family room or home theatre!

Just like the TV wall mount, this fixed projector screen will make any room special and inviting. There\'s no comparison between our projector screen and run-of-the-mill pull-down or motorised projection screens. With the differences, there are many pluses.

Onkyo builds on the success of its A-9010 pre-main amp with the new A-9110 Integrated Stereo Amplifier, a component that refines an original amp design that’s won an excellent critical and commercial reputation for dynamic, musical sound. Lively dynamics, deep bass, and layered detail emerge from warm and expressive tuning. WRAT delivers high-current power stability via large custom capacitors, while low-NFB amps capture the depth and spatiality of analog and hi-res recordings. Five RCA inputs including the MM phono stage connect your sources while high-quality speaker-posts reveal Onkyo’s hi-fi heritage and careful attention to detail.

This is a 130" Pure 16:9 Projector Screen.

Beware of  other converted  130 inch 16:9 Projector Screen, it is about only 118 inch  when it is converted  from 4:3 format.

Those looking for the ultimate in CD playback from an audiophile-grade component will be impressed with a high-precision, multi-bit D/A converter and 128 x oversampling. Others looking for convenience will thrill at the sight of 6-disc capability, 6 repeat modes, 40 track programming—and no worries about interruptions to your music, with the ability to change 5 discs while the last one is still playing.

The consequent enhancement of our succesful tube phono preamplifier, the PHO-700, has now the possibility to make exact adjustments for the pick-up cartridge through DIP-switches. The result is a considerable increase of the sound quality and the fine resolution, because no compromise has to be done like on many other phono preamplifiers.
Additional we have added a USB port which gives you the possibilty digitize your Vinyl treasures (max. 24 Bit / 192 kHz).

The HDMI Ultimate 4K is the proud result of the design challenge to build the ultimate HDMI™ interface cable which leaves all others behind.

Radiance Series

Our new Radiance  Series racks offer both stabilities and style, heavy duty weight handling per shelf, shelves are available with two colours.

A newly developed Ultra Short Throw Ambient Light Rejecting (ALR) fixed screen by Visualax now available.

Radiance Series

Our new Radiance Series racks offer both stabilities and style, heavy duty weight handling per shelf, shelves are available with 3 different colours.

Why grey screens ?

The concept of the grey screen was first introduced by Stewart Filmscreen with their Grayhawk product in 2001, and grey screens have become immensely popular ever since.

Grey screens are often called high contrast screens because their purpose is to boost contrast on digital projectors in viewing rooms that are not entirely dark. The grey screen absorbs ambient light that strikes it better than a white screen does. In so doing the black level on the screen is maintained. This works because, assuming the projector has ample lumen output as most digital projectors do, whites remain satisfyingly white while blacks are maintained at a deeper black. The net effect is to increase the contrast range of the image on the screen.

The Rotel A14 MKII integrated amplifier takes all the functionality of the original and adds a fully redesigned Digital to Analogue circuit topology utilizing a Texas Instruments 32-bit/384kHz DAC with exhaustive tuning and hand selection of all critical components delivering a fuller, richer and more balanced presentation of the music.

Why grey screens ?

The concept of the grey screen was first introduced by Stewart Filmscreen with their Grayhawk product in 2001, and grey screens have become immensely popular ever since.

Grey screens are often called high contrast screens because their purpose is to boost contrast on digital projectors in viewing rooms that are not entirely dark. The grey screen absorbs ambient light that strikes it better than a white screen does. In so doing the black level on the screen is maintained. This works because, assuming the projector has ample lumen output as most digital projectors do, whites remain satisfyingly white while blacks are maintained at a deeper black. The net effect is to increase the contrast range of the image on the screen.

“Offers insight into the way the instruments are being played. That is rare at this price”

If you desire even more output and bass response than the MC6, the 8 MC8 is the obvious choice. Featuring the same Folded Motion Tweeter and woven fiberglass woofer as the rest of the Motion CI models, the MC8 is all about more. MC8 can handle more power, produce more output, and deliver more bass when the fullest performance is desired. An optional retrofittable back enclosure is available for applications where sound control is needed.

EVO3 Sequel power cable offers increased performance over IsoTek’s  multi-award winning Premier, featuring optimised conductor strand  geometry and active shielding.

Furutech\'s Gold Plated High Performance IEC Power Connector

Furutech is known the world over for a huge variety of top-quality OEM parts and delivers consistently superior results by following Pure Transmission principles; examine every link in the power and signal path and ultimately optimize each and every element.

Why grey screens ?

The concept of the grey screen was first introduced by Stewart Filmscreen with their Grayhawk product in 2001, and grey screens have become immensely popular ever since.

Grey screens are often called high contrast screens because their purpose is to boost contrast on digital projectors in viewing rooms that are not entirely dark. The grey screen absorbs ambient light that strikes it better than a white screen does. In so doing the black level on the screen is maintained. This works because, assuming the projector has ample lumen output as most digital projectors do, whites remain satisfyingly white while blacks are maintained at a deeper black. The net effect is to increase the contrast range of the image on the screen.

Extreme depth, power and intensity of a world-class subwoofer, from a super compact 13-inch cabinet. The SVS SB-1000 subwoofer is small enough to conceal in any room, and with its 12-inch front-firing driver and 300 watts RMS, 700+ watts peak power amplifier, energizes a room with deep, effortless and articulate bass.

In 1982 Sony gave us "Perfect sound forever," along with the attitude that, "it\'s just digital, so all CD players sound the same." That was disproved and qualitative differences between players became accepted truth.